Reading #5: Coco Fusco (identity): The Other History of Intercultural Performance
Dealing with a self and cultural identity in colonialist world is a weary journey. As I read the ‘A Report to an Academy’ from Franz...
Reading #4: Hal Foster (archive): An Archival Impulse
Personal practice and environment shape artistic creativity with a particular figures, objects and events that reflects in archiving....
Reading #3: Lorain Leeson (fieldwork) – Process and Product
Political, cultural and geographical features add value to community and social practices. Participation and collaboration of people from...
Reading #2: Rendell (2003) ‘The Welsh Dresser. An Atlas?’
The Welsh Dresser is a great article source to become acquainted with conceptual art: the relation between language (writing) and visual...
Set Reading #1: Gilliam & McGilp (2007)
Gilliam & McGilp’s (2007) approach to recording the creative process: practice-integrated research points out the importance and...
Arts as a Social Practice: The Visual Poetics of Protest
Art and Activism are very similar acts. Art borrows strategies from activism where activism deals with politics and histories. The line...
Art as Social Practice: From Interaction to Collaboration
Art has a very long history that still has no precisely universal definition but commonly seen or used as “beauty” of something or having...
(Im) print: The Synesthetic Index
A word “Synaesthesia” is defined as combined senses. It resists back to Ancient Greek where ‘syn’ means “together”, ‘aesthetics’ is a...
Jasper Johns & Jean-Michel Basquiat Exhibitions
I visited two artists’ outstanding exhibitions that are different from each other: Jasper Johns and Jean-Michel Basquiat. Jasper Johns:...
What is an Index (for)?
Artists pursued the realism and individual freedom from 1960s with Pop Art movement. Pop Art was a base for upcoming art movements in...
